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The ulterior motives with which you absorb and assimilate Evil are not your own but those of Evil.
The animal wrests the whip from its master and whips itself in order to become master, not knowing that this is only a fantasy produced by a new knot in the master’s whiplash. -
There are no two words in the English language more harmful than good job.
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The ulterior motives with which you absorb and assimilate Evil are not your own but those of Evil.
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James Brown’s Live at the Apollo is not just a musical whiplash, it’s a spiritual cleansing. You can just close your eyes and see him doing the splits, kicking the mic stand and doing a 360.
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And ain’t I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain’t I a woman? I could work as much and eat as much as a man – when I could get it – and bear the lash as well! And ain’t I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother’s grief, none but Jesus heard me! And ain’t I a woman?
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She is my first, great love. She was a wonderful, rare woman – you do not know; as strong, and steadfast, and generous as the sun. She could be as swift as a white whiplash, and as kind and gentle as warm rain, and as steadfast as the irreducible earth beneath us.
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When you are in the eye of the storm, you are often not aware of the whiplash around you.
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It’s like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is telling me the story as he’s sitting in that witness chair, and they’re putting the final touches of makeup on. And he goes, “Hold on a second,” to stop his story so he can do the take. And he does this incredible take. They go, “Cut.” And then immediately John goes, “Anyways, so Alec, he’s playing the chess.” And I’m just going, “Holy crap.” You get whiplash from those kinds of quick turns!
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When I see a good film, it’s like a whiplash. I run away, in order not to be influenced. Thus, the films I liked most are those I think least about.
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There was a time when doing “Zoolander 2” that I was literally flying between the “Zoolander” shoot and “The Leftovers” in Texas and at that point, I was getting comedy whiplash. It was a relief, though, to get to Rome and be like, “Oh my God, I get to laugh on set.”
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Instead of just looking back, whiplash-style, I can assume there’s something else coming. Time just folds over itself, like origami.
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I’ve always hated Mondays, the whole lot of them. Too much whiplash, snapping the tired masses to attention. God’s way, perhaps, of reminding us that we are not masters of our fate, no matter how deluded we became during the weekend respite.
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There is an art in taking the whiplash of suffering full in the face, an art you must learn. Let each single attack exhaust itself; pain always makes single attacks, so that its bite may be more intense, more concentrated. And you, while its fangs are implanted and injecting their venom at one spot, do not forget to offer it another place where it can bite you, and so relieve the pain of the first.
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It was very, very challenging being on this thing called the gimbal. It would throw you around, give you whiplash, and they’d tie you down.
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I was in good shape from Divergent. Damien Chazelle, the director of Whiplash told me, ‘Stop Working Out! Don’t go outside!’ He wanted me pale and doughy. This is the first movie where I shut myself off from the world. It was, by far, the hardest thing I’ve ever done.
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Death isn’t enough. It doesn’t remove the stain. But a slap, a whiplash, square on the face, does. Because a man’s face is as sacred as his mother or his wife.
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There hung about her the restrained energy of a whiplash.
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I’d only met him once, at the mall. He was tall, with a big floppy shock of blond hair he was always getting out of his face by jerking his head suddenly to the side, whiplash-style. Rina found this incredibly sexy. It made me nervous. – Caitlin about Jeff
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It was her first book, an indigo cover with a silver moonflower, an art nouveau flower, I traced my finger along the silver line like smoke, whiplash curves. … I touched the pages her hands touched, I pressed them to my lips, the soft thick old paper, yellow now, fragile as skin. I stuck my nose between the bindings and smelled all the readings she had given, the smell of unfiltered cigarettes and the espresso machine, beaches and incense and whispered words in the night. I could hear her voice rising from the pages. The cover curled outward like sails.
Best Quotes from Whiplash
Damien Chazelle’s fast-paced drama Whiplash finds its setting in the fictional New York Shaffer Conservatory, where Terence Fletcher (J K Simmons) mentors an up-and-coming jazz band with an iron fist. He’s verbally and physically abusive, but he believes that this is necessary in order to breed greatness. In his view, mediocrity is the enemy, and it is his duty to mentor the next great jazz musician.
Andrew Neyman (Miles Teller) is accepted into Fletcher’s band as a drummer, where he is subjected to extensive abuse. At first, he seems wimpy, not driven, and forgettable. Fletcher’s methods seem to spark something inside him and Andrew endures his abuse in seething anger. Obsessed with becoming someone to be remembered, Andrew pushes himself beyond his limits.
Thanks to Chazelle’s colorful screenplay, the story flows easily, tempered with humor and emotion that feels both natural and surprising. Simmons’ performance as Fletcher is particularly memorable. His character does most of the talking in the film, usually to throw out insults and spur his players (because Whiplash feels so much like a sports movie) into action. Here are twelve of the best quotes from Whiplash.
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“ I think being the greatest musician of the 20th century is anybody’s idea of success.”
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“I’d rather die drunk, broke at 34 and have people at a dinner table talk about me than live to be rich and sober at 90 and nobody remembered who I was.”
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There are no two words in the English language more harmful than “good job”.
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“I was there to push people beyond what’s expected of them. I believe that’s an absolute necessity.”
Whiplash Quotes

I was there to push people beyond what’s expected of them. I believe that’s an absolute necessity.
- Whiplash
- Terence Fletcher

There are no two words in the English language more harmful than good job.
- Whiplash

People change and things work out.
Best Whiplash Quotes







I jumped, guilty at having been caught staring. But, hell, I thought, might as well ask. “Are you two
you know?” I made a vaguely obscene gesture with my fingers.
He stopped walking so fast I was shocked he didn’t get whiplash. “What?”
I waved toward the building. “You and Shandi.”
Instead of answering, he threw his head back and brayed like the jackass he was. — Jaye Wells












“Why?”
“He’s in a suit, that’s why. My eyes don’t know what to do with themselves.”
Will whipped around so fast she gave herself whiplash. — Jill Shalvis


“Of course not.” She smiled across the table at him. “Snidely Whiplash, maybe. But not Satan. — Sierra Donovan


Old recapitulations.
The fox, panting, fire-eyed,
gone to earth in my chest.
How beautiful we are,
he and I, with our auburn
pelts, our trails of blood,
our miracle escapes,
our whiplash panic flogging us on
to new miracles!
They’ve supplied us with pills
for bleeding, pills for panic.
Wash them down the sink.
This is truth, then:
dull needle groping for the spinal fluid,
weak acid in the bottom of the cup,
foreboding, foreboding.
No one tells the truth about truth,
that it’s what the fox
sees from his scuffled burrow:
dull-jawed, onrushing
killer, being that
inanely single-minded
will have our skins at last. — Adrienne Rich





